Solly Lipsitz, or Mr Jazz as much of Northern Ireland knew him, presents this programme on 50 years of "jazz in Ulster". In this episode, Lipsitz goes through the first half of the semicentennial with archival footage of Northern Ireland at the time, with the key local players and enthusiasts providing insights on what the jazz scene here was really like.
We open with one of Louis Armstrong's classics, set against scenes of Glenarm, a connection is made between this Co. Antrim village, which many are familiar with and the vibrant Jazz scene found in Chicago and New Orleans. The thing that ties these two seemingly disparate locations, is that the Glenarm Jazz band put on "a most successful dance" on the 26th April 1925 and, later, on the 12th November 1925, Armstrong's first recording was made; showing that Ulster was already keenly aware of this style of music.
Frank McKay, speaks about how Jazz disrupted the "old traditional way" of dancing and this, as is later explained in the programme, is the precursor for jiving.
1930s Belfast was to show continuous development, from beginning to end, with a whole host of top performers gracing the stages of the city's grandest stages, particularly significant was the opening of the Ritz cinema in 1936 which could house up to 2,200 people. However, what paved the way for Jazz in Northern Ireland was the popularity of radio as a medium of mass communication with the BBC broadcasting a dance programme from luxurious venues across London every evening - a well appreciated escape from the realities of the depression!
Founding members of the Campbell Andrews Band, at the Belfast Royal Academy, give their account of how the group came together and the popularity of jazz listening groups is discussed by Jeremy McQueen. Though it was the arrival of the Second World War, and as a consequence, the American servicemen, which gave "reality to what, till then, was records, radio, and Hollywood".
Clubs in Belfast such as the Embassy, The Manhattan and the 400 were always busy but it was in Bangor, where an Australian band played, that provided the next important development of jazz in post WWII Northern Ireland. After this, venues started to properly draw on local talent for the playing of jazz.