Super 8 Stories Extra Footage: 1951 Ulster Grand Prix at Dundrod

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Details

Location

Dundrod, Newtownards

Year

1951

Date

1951

Length

02min 44sec

Audio

silent

Format

Super 8

colour

Source

Doubleband Films

Courtesy

Doubleband Films, Gordon McMillan

Rights Holder

Gordon McMillan

It is illegal to download, copy, print or otherwise utilise in any other form this material, without written consent from the copyright holder.

Description

Footage of the famous Ulster Grand Prix at Dundrod from 1951 featuring immortal drivers such as Stirling Moss. Sections of this footage were included in the Super 8 Story, 'Dundrod and Ulster Motorsport'.

Notes

The late Fred McMillan’s films were forwarded to the Super 8 Stories series and leant to the Digital Film Archive by his son Gordon. “He was a veterinary officer with the (then) Ministry of Agriculture”, says Gordon. “He was deeply interested in all forms of the visual arts – be it photography, cine or painting. As a father of young children in the early 1950s he recorded many events on cine film for posterity. I recall watching him edit and splice the films in his workshop and viewing the films, usually on a Sunday, having first pulled the curtains. He took cine for about six years and then devoted more time to still and slide photography, recording scenes that he might consider turning into a painting later”. Gordon now has digital transfers of h The late Fred McMillan’s films were forwarded to the Super 8 Stories series and leant to the Digital Film Archive by his son Gordon. “He was a veterinary officer with the (then) Ministry of Agriculture”, says Gordon. “He was deeply interested in all forms of the visual arts – be it photography, cine or painting. As a father of young children in the early 1950s he recorded many events on cine film for posterity. I recall watching him edit and splice the films in his workshop and viewing the films, usually on a Sunday, having first pulled the curtains. He took cine for about six years and then devoted more time to still and slide photography, recording scenes that he might consider turning into a painting later”. Gordon now has digital transfers of his father’s material and says, “I still watch them from time to time. I am actually editing my own ‘Super 8 Story’, as it were, filming relatives to combine with my father’s cine before the stories are lost forever. The films for me are a priceless collection evoking many fond memories of past times”.

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